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Tag: Kuami Eugene

  • Kuami Eugene joins Piesie Esther on stage at Flora Made By Grace

    Kuami Eugene joins Piesie Esther on stage at Flora Made By Grace

    The surprise appearance at the fifth edition of the gospel concert in Accra added a crossover moment to an evening of praise, worship and tributes to late Ghanaian music personalities.

    Highlife musician Kuami Eugene made a surprise appearance at the fifth edition of Piesie Esther’s annual Flora Made By Grace concert, joining the gospel singer on stage during the event held in Accra on Sunday, November 1, 2026.

    The concert took place at Perez Chapel International, popularly known as Perez Dome, in Dzorwulu, under the theme “The Greater Grace Encounter.” It marked five years of the initiative, which brings gospel ministers and music lovers together for an evening of praise and worship. 

    Kuami Eugene’s appearance was one of the evening’s unexpected highlights. Piesie Esther invited the award-winning musician to join her on stage, drawing excitement from patrons as the two artistes shared the platform.

    His presence brought a different musical dimension to the gospel gathering, which featured performances from several established gospel musicians.

    Gospel stars lead worship

    The event featured a line-up of gospel performers, including Ohemaa Mercy, DCOP Kofi Sarpong, the Tagoe Sisters, Francis Amo, Kweku Teye, Uncle Ato and Emmanuel Juddah. The Breaking Yoke Choir also delivered a special ministration.

    The concert began at 4 p.m., with admission free to the public. It was powered by Flora, a brand from Delta Paper Mill.

    Several personalities from Ghana’s entertainment and public sectors also attended, including broadcaster Serwaa Amihere, actress Akumaa Mama Zimbi, Benedicta Gafah, Florence Obinim, Queen Florence The Lioness and Minister for Communication, Digital Technology and Innovations Sam George.

    Piesie Esther honours Bernice Offei

    Beyond the performances, Piesie Esther created a moment of remembrance for veteran gospel musician Bernice Offei, who died in September 2026 at the age of 63.

    She honoured the late singer by performing her song Hold On, recognising her contribution to Ghana’s gospel music industry.

    Piesie Esther also remembered 15-year-old Ghanaian Javits Frimpong, who was shot dead in the Bronx, New York, in October. 

    Kumasi edition scheduled for November 15

    The fifth Flora Made By Grace concert brought together gospel music, celebrity appearances and tributes, marking a milestone in Piesie Esther’s annual initiative.

    Following the Accra edition, the concert is scheduled to move to Kumasi on November 15, 2026, with the next gathering expected to extend the celebration to gospel music lovers in the Ashanti Region. 

  • I Made So Much Money From ‘Love Nwantiti’ — Kuami Eugene Drops Bombshell on Global Smash Hit Success

    I Made So Much Money From ‘Love Nwantiti’ — Kuami Eugene Drops Bombshell on Global Smash Hit Success

    Award-winning Ghanaian singer and songwriter Kuami Eugene has sent social media into a frenzy after boldly revealing just how massively profitable his contribution to the global hit song Love Nwantiti turned out to be.

    Speaking in a recent interview, the “Angela” hitmaker proudly disclosed that he earned an incredible amount of money from the viral smash, shocking fans who had no idea the song generated such huge financial rewards behind the scenes.

    According to Kuami Eugene, Love Nwantiti became one of the biggest blessings of his music career, opening international doors and bringing in serious revenue after the song exploded across streaming platforms and social media worldwide.

    The hit track, originally by Nigerian superstar CKay, became a global anthem after dominating TikTok trends, clubs, radio stations, and music charts across several countries. Kuami Eugene’s involvement in the remix and promotion of the song reportedly played a significant role in expanding its popularity across Africa and beyond.

    “I made so much money from ‘Love Nwantiti,’” Kuami Eugene stated confidently, while reflecting on how the song changed parts of his financial life and career trajectory.

    The revelation has sparked widespread reactions online, with many fans praising the singer for securing international success and benefiting financially from one of Africa’s most streamed songs in recent years.

    Music industry observers say the success story highlights the growing global power of Afrobeats and African collaborations, proving that African musicians can now earn substantial income from streaming, performances, royalties, and digital virality.

    For Kuami Eugene, the success of Love Nwantiti appears to be more than just another feature — it has become a career-defining milestone and a major financial breakthrough.

    Fans are now celebrating the singer’s achievement while eagerly anticipating what international collaboration he conquers next.

  • I’m Not Sure He Has a Pen — Kuami Eugene Sparks Buzz as He Breaks Down Shatta Wale’s Unusual Music Process

    I’m Not Sure He Has a Pen — Kuami Eugene Sparks Buzz as He Breaks Down Shatta Wale’s Unusual Music Process

    Award-winning Ghanaian singer-songwriter Kuami Eugene has stirred conversation in the entertainment space after making a surprising comment about how dancehall heavyweight Shatta Wale creates his music.

    Speaking in a recent interview, Kuami Eugene suggested that Shatta Wale’s songwriting and recording approach is so unconventional that it almost feels like he doesn’t use traditional writing methods at all.

    “I’m not sure he has a pen,” he remarked, in a statement that quickly caught fire on social media and among fans of Ghana’s vibrant music scene.

    The comment was widely interpreted as Kuami Eugene highlighting Shatta Wale’s spontaneous and freestyle-driven creative process, where songs often emerge from raw studio sessions rather than structured writing on paper.

    Shatta Wale, known for his unpredictable studio energy and fast-paced output, has long been regarded as one of Ghana’s most prolific hitmakers, often releasing tracks in rapid succession and adapting quickly to trends in the dancehall and Afrobeats space.

    Kuami Eugene’s observation has since fueled debate online, with fans split between admiration for Shatta Wale’s instinctive creativity and curiosity about how structured songwriting compares to his approach.

    While some listeners saw the remark as playful praise of Shatta Wale’s natural talent, others interpreted it as a subtle critique of his method. Either way, it has reignited discussion about artistry, discipline, and creative process in Ghana’s modern music industry.

    Neither artist has issued a formal response yet, but the comment continues to trend across entertainment platforms, keeping both stars firmly in the spotlight.